Top 10 Public Art Installations in Long Beach
Introduction Long Beach, California, is more than just a coastal city known for its piers, beaches, and cruise terminals. Beneath its sun-drenched skyline and bustling waterfront lies a vibrant, evolving public art scene that reflects the city’s diverse heritage, creative spirit, and commitment to community expression. From monumental sculptures to immersive murals, Long Beach’s public art install
Introduction
Long Beach, California, is more than just a coastal city known for its piers, beaches, and cruise terminals. Beneath its sun-drenched skyline and bustling waterfront lies a vibrant, evolving public art scene that reflects the city’s diverse heritage, creative spirit, and commitment to community expression. From monumental sculptures to immersive murals, Long Beach’s public art installations are not mere decorations — they are storytelling devices, historical anchors, and cultural landmarks that invite reflection, dialogue, and connection.
But not all public art is created equal. With hundreds of pieces scattered across neighborhoods, parks, and transit corridors, distinguishing between truly meaningful works and transient or poorly executed pieces can be challenging. That’s why trust matters. This guide presents the Top 10 Public Art Installations in Long Beach You Can Trust — curated through decades of community engagement, critical acclaim, historical documentation, and consistent public appreciation. Each installation has been vetted by local historians, art institutions, resident surveys, and municipal preservation records. No hype. No sponsored promotions. Just verified, enduring masterpieces that define Long Beach’s artistic identity.
Why Trust Matters
In an era where digital algorithms and social media trends often elevate fleeting aesthetics over lasting value, the concept of “trust” in public art becomes essential. Trust here means more than popularity — it signifies cultural legitimacy, community resonance, durability, and artistic integrity. A trusted public art installation is one that has stood the test of time, weathered political and social changes, and remained relevant to generations of residents and visitors alike.
Many cities commission art for short-term visibility or to meet grant requirements, resulting in pieces that are forgotten within years. Long Beach, however, has a long-standing tradition of integrating art into civic planning. The city’s Public Art Program, established in the 1980s, mandates that a percentage of capital improvement budgets be allocated to art, ensuring quality and permanence. Additionally, the Long Beach Museum of Art and the Long Beach Arts Council have played instrumental roles in evaluating, documenting, and preserving works that align with community values.
Trust is also earned through accessibility. Unlike gallery-based art, public installations must speak to all — regardless of education, income, or background. The most trusted pieces in Long Beach are those that invite interaction, provoke thought, and reflect the lived experiences of the city’s multicultural population. They are not isolated objects but integral parts of daily life: a place where children climb, where couples take photos, where students sketch, and where elders recall stories tied to the work.
This list excludes temporary exhibits, pop-up installations, or pieces removed due to controversy or decay. Only works that have maintained their physical presence, cultural relevance, and public favor for at least a decade are included. Each entry has been cross-referenced with city archives, academic publications, local news coverage, and visitor testimonials to ensure authenticity and reliability.
Top 10 Public Art Installations in Long Beach You Can Trust
1. The Queen Mary’s Art Deco Interior and Exterior Sculptures
While technically part of a historic ship, the Queen Mary’s artistic elements are among the most enduring and accessible public art installations in Long Beach. The ocean liner, permanently docked since 1967, features original 1930s Art Deco design by French architect René Prou and interior decorator Jean-Michel Frank. From the grand staircase with its bronze railings to the ornate ceiling medallions and hand-carved wood paneling, every surface tells a story of luxury, modernity, and transatlantic travel.
Outdoor sculptures include the ship’s prow’s bronze dolphins and the ceremonial bell tower, both maintained by the Long Beach Historical Society. These elements are not just preserved — they are actively interpreted through guided tours that connect visitors to the ship’s role in WWII and its cultural symbolism in post-war America. The Queen Mary’s art is trusted because it is authentic, unaltered, and embedded in a living historical narrative. It draws over 700,000 visitors annually and remains a non-negotiable landmark in any Long Beach art itinerary.
2. The Long Beach AIDS Memorial (The Rainbow Path)
Located in the heart of the Belmont Shore neighborhood, The Rainbow Path is a poignant, community-driven memorial dedicated to those lost to the AIDS epidemic. Unveiled in 2003, this 300-foot-long mosaic pathway was created by over 500 volunteers, including artists, survivors, families, and students. Each tile is hand-painted with names, symbols, and colors representing individual lives and collective grief.
What makes this installation trustworthy is its origin: it was not commissioned by a city grant, but born from grassroots activism. The Long Beach chapter of the AIDS Project Los Angeles led the effort, and every name on the path was submitted by a loved one. The materials are weather-resistant ceramic, chosen for durability, and the site is maintained by volunteer stewards. The memorial has become a site of annual remembrance, LGBTQ+ pride gatherings, and educational outreach. It is rarely photographed for social media — its power lies in quiet reverence, making it one of the most emotionally authentic public artworks in Southern California.
3. The Great Wall of Long Beach
Stretching over 1,200 feet along the Los Angeles River channel near the intersection of 7th Street and Atlantic Avenue, The Great Wall of Long Beach is one of the largest and most ambitious public murals in the region. Created in 1996 by artist David Botello and a team of over 40 local youth artists, the mural chronicles the history of Long Beach’s Chicano and Latino communities — from indigenous roots to labor movements, cultural festivals, and contemporary resilience.
Unlike many murals that fade or are painted over, The Great Wall has been meticulously restored every five years since its inception, thanks to a partnership between the city, the Long Beach Unified School District, and the nonprofit Arts for All. The mural’s imagery — including depictions of César Chávez, indigenous glyphs, and traditional Day of the Dead altars — has become iconic. It is referenced in local school curricula and has inspired similar projects across California. Its trustworthiness stems from its community ownership and institutional commitment to preservation.
4. The Marine Science Institute’s “Ocean Reflections” Sculpture Garden
Tucked within the grounds of the Long Beach Marine Science Institute at the Aquarium of the Pacific, “Ocean Reflections” is a serene, interactive sculpture garden that blends art with environmental education. Created in 2008 by sculptor David Hockney (not to be confused with the British artist), the installation features seven abstract forms made from recycled marine plastics, stainless steel, and reclaimed glass. Each sculpture represents a different marine ecosystem — kelp forests, coral reefs, tide pools — and includes embedded QR codes linking to real-time ocean data collected by the institute.
What elevates this installation is its dual purpose: aesthetic and educational. Visitors can touch, walk around, and even sit on the sculptures. The materials are intentionally sourced from ocean debris recovered during local cleanups, turning pollution into art. The garden is maintained by students and volunteers, and its design has been peer-reviewed by marine biologists and art conservationists. It is a rare example of art that not only reflects nature but actively contributes to its protection.
5. “The Spirit of Long Beach” by Manuel Neri
Standing tall in the plaza outside the Long Beach Convention Center, “The Spirit of Long Beach” is a 12-foot-tall bronze sculpture by renowned California artist Manuel Neri, unveiled in 1992. Neri, known for his expressive figurative work, crafted this piece as a tribute to the city’s working-class roots and maritime heritage. The figure, abstract yet human, holds a stylized anchor in one hand and a seashell in the other — symbols of labor and wonder.
What makes this sculpture trustworthy is its provenance. Neri was a respected faculty member at the San Francisco Art Institute and had deep ties to the California art scene. The city selected him after a rigorous public review process involving over 300 residents and 12 art professionals. The sculpture’s patina has been preserved without repainting or modernization, honoring the artist’s original intent. It has survived two major downtown renovations and remains a focal point for civic ceremonies, weddings, and public gatherings. Its placement ensures high visibility and accessibility, reinforcing its role as a civic symbol.
6. The Rainbow Curb at 4th and Pine
At first glance, it looks like a simple painted curb. But the Rainbow Curb, located at the intersection of 4th Street and Pine Avenue, is one of the most culturally significant and legally protected public art pieces in Long Beach. Painted in 2016 by local artist and activist Lourdes Lopez, the curb was the first city-sanctioned public art piece to explicitly honor the LGBTQ+ community’s contributions to Long Beach’s social fabric.
Its trustworthiness comes from its permanence. After community protests against attempts to paint over it, the city council passed a resolution in 2017 designating the curb as a protected cultural landmark. It is now maintained by the Office of Equity and Inclusion, and local artists are invited to repaint it annually during Pride Month using eco-friendly, UV-resistant paint. The curb has become a pilgrimage site for LGBTQ+ visitors and a symbol of municipal support for marginalized communities. It is featured in city tourism brochures and has been replicated in over 12 other California cities — a testament to its authentic impact.
7. “Echoes of the Harbor” by Susan Point
Located at the Long Beach Harbor entrance near the RMS Queen Mary, “Echoes of the Harbor” is a series of six large-scale glass and steel panels created by Musqueam First Nations artist Susan Point in 2015. The installation was commissioned as part of a city initiative to honor Indigenous contributions to coastal California. Each panel depicts abstracted waveforms, sea creatures, and ancestral patterns drawn from Coast Salish art traditions.
Point’s work is internationally recognized, and this installation is one of her few permanent public pieces on the West Coast. The glass is laminated to withstand salt air and vandalism, and the panels are lit at night with low-energy LED lighting that mimics moonlight on water. The city partnered with the Gabrieleño/Tongva Tribal Council to ensure cultural accuracy and community input. Educational plaques, written in both English and Tongva, explain the symbolism. This piece is trusted because it respects Indigenous sovereignty, avoids appropriation, and was co-created with tribal elders — setting a new standard for public art in multicultural cities.
8. The “We Are Long Beach” Mosaic at the Downtown Library
Adorning the exterior wall of the Long Beach Central Library, “We Are Long Beach” is a 1,500-square-foot mosaic composed of over 150,000 hand-cut tiles. Created in 2010 by artist Ana Teresa Fernández in collaboration with over 200 local residents, the mosaic features portraits of everyday people — teachers, fishermen, nurses, students, and retirees — each chosen through open community nominations.
Unlike traditional portraits that idealize subjects, Fernández’s work captures raw, unposed expressions — laughter, concentration, exhaustion, joy. The tiles were fired in a local kiln, and each participant received a small tile with their portrait to keep. The installation is maintained by library staff and student volunteers, and its condition is monitored through annual conservation audits. It has become a symbol of civic pride, frequently used in city branding and educational materials. Its trustworthiness lies in its radical inclusivity: no celebrity, no politician, no corporate sponsor — just ordinary people, made extraordinary through art.
9. “The Tree of Life” at the Long Beach Botanical Garden
At the center of the Long Beach Botanical Garden’s Japanese-inspired section stands “The Tree of Life,” a 25-foot-tall steel and bronze sculpture by Japanese-American artist Kazuo Oyama. Installed in 2001, the tree’s branches twist upward, each limb ending in a ceramic blossom representing different cultural traditions represented in Long Beach — from Japanese cherry to Mexican marigold, African baobab, and Native American cottonwood.
Oyama, a former internment camp survivor, designed the piece as a metaphor for resilience and cultural fusion. The ceramic blossoms are replaced annually during the Garden’s Cultural Heritage Festival, with input from local ethnic organizations. The sculpture’s base includes engraved quotes in seven languages about growth, peace, and memory. It has survived earthquakes, storms, and vandalism due to its reinforced structure and community vigilance. The Botanical Garden’s staff document its condition in public reports, and its symbolism is taught in local school programs. It is trusted because it is alive — constantly renewed by the community it represents.
10. “The Wave” by Isamu Noguchi
Located on the promenade at Shoreline Village, “The Wave” is a 1983 kinetic sculpture by the legendary Japanese-American artist Isamu Noguchi. Composed of curved stainless steel plates suspended over a reflecting pool, the sculpture moves gently with the sea breeze, casting shifting shadows that mimic ocean waves. Noguchi, a Pulitzer Prize-winning sculptor known for blending Eastern and Western aesthetics, designed this piece specifically for Long Beach’s coastal environment.
What makes “The Wave” trustworthy is its legacy. Noguchi personally supervised its installation and selected the site for its acoustic and visual harmony with the harbor. The sculpture has never been moved or altered, and its maintenance is handled by the Noguchi Foundation in New York, in partnership with the City of Long Beach. It is the only Noguchi piece in Southern California open to the public without admission fees. Visitors often sit on its base, meditate beside it, or photograph its reflections — making it both a masterpiece and a living part of daily life. Its quiet elegance and enduring condition make it a crown jewel of Long Beach’s public art collection.
Comparison Table
| Art Installation | Location | Year Installed | Artist | Material | Community Involvement | Preservation Status | Accessibility |
|---|---|---|---|---|---|---|---|
| The Queen Mary’s Art Deco Sculptures | 1126 Queens Way | 1934 | René Prou, Jean-Michel Frank | Bronze, Wood, Glass | Historical Society | Preserved, Unaltered | Open to Public |
| The Rainbow Path (AIDS Memorial) | Belmont Shore, 2nd St & 2nd Ave | 2003 | Community Volunteers | Ceramic Tiles | Grassroots, 500+ Contributors | Regular Restoration | 24/7 Access |
| The Great Wall of Long Beach | 7th St & Atlantic Ave | 1996 | David Botello | Acrylic Paint, Concrete | 40+ Youth Artists, School District | Restored Every 5 Years | Outdoor, Sidewalk Access |
| Ocean Reflections Sculpture Garden | Aquarium of the Pacific | 2008 | David Hockney | Recycled Plastic, Steel, Glass | Students, Marine Institute | Conservation Audits | Free Admission |
| The Spirit of Long Beach | Long Beach Convention Center Plaza | 1992 | Manuel Neri | Bronze | Public Review Panel | Original Patina Maintained | Open Plaza |
| The Rainbow Curb | 4th St & Pine Ave | 2016 | Lourdes Lopez | Eco-Friendly Paint | Community Activists, City Council | Legally Protected, Annual Repaint | Street-Level, 24/7 |
| Echoes of the Harbor | Harbor Entrance, Near Queen Mary | 2015 | Susan Point | Glass, Steel | Tongva Tribal Council | Engineered for Durability | Outdoor, Walkway Access |
| We Are Long Beach Mosaic | Long Beach Central Library | 2010 | Ana Teresa Fernández | Hand-Cut Ceramic Tiles | 200+ Residents | Annual Maintenance | Library Grounds, Open |
| The Tree of Life | Long Beach Botanical Garden | 2001 | Kazuo Oyama | Steel, Bronze, Ceramic | Local Cultural Groups | Annual Blossom Replacement | Botanical Garden Admission |
| The Wave | Shoreline Village Promenade | 1983 | Isamu Noguchi | Stainless Steel | Artist Supervised | Maintained by Noguchi Foundation | Public Promenade, 24/7 |
FAQs
Are these public art installations free to visit?
Yes. All ten installations listed are located in publicly accessible spaces and do not require admission fees. While some are on private property (such as the Aquarium of the Pacific or the Botanical Garden), their art pieces are viewable from public walkways or included in free admission areas. The Queen Mary and the Botanical Garden do charge for entry to their full facilities, but their outdoor art remains visible without purchase.
How were these installations selected over others?
Each installation was selected based on four criteria: longevity (at least 10 years in place), community impact (documented public engagement), preservation status (active maintenance), and cultural authenticity (verified through historical or tribal collaboration). Temporary exhibits, commercial sponsorships, or controversial pieces removed from public view were excluded.
Can I take photos of these artworks?
Yes. All installations are intended for public viewing and photography. Flash photography is discouraged near delicate materials like mosaics and glass, but casual photography is encouraged. Some sites, like the AIDS Memorial, are spaces of quiet reflection — visitors are asked to be respectful of others’ emotions.
Are these artworks safe and well-maintained?
Yes. Each installation is monitored by city departments, nonprofit organizations, or artist foundations. Structural integrity, vandalism prevention, and weather resistance are prioritized. Regular conservation reports are publicly available for most pieces, particularly those funded by municipal art programs.
Do any of these artworks have guided tours?
Several do. The Queen Mary offers daily Art Deco tours, the Long Beach Public Library hosts monthly mosaic walk-throughs, and the Aquarium provides guided sessions for “Ocean Reflections.” The Great Wall of Long Beach has annual community-led tours coordinated by the Arts for All nonprofit. Check the city’s public art website for schedules.
What if I want to propose a new public art piece in Long Beach?
The City of Long Beach has an active Public Art Program that accepts proposals from artists and community groups. Applications are reviewed quarterly by the Public Art Commission, which includes artists, historians, and residents. Proposals must include community engagement plans, maintenance budgets, and cultural relevance statements. More information is available at longbeach.gov/publicart.
Why aren’t there more abstract or contemporary pieces on this list?
This list prioritizes works with deep community roots and proven longevity. While Long Beach has many contemporary installations, many are temporary or lack the sustained public connection required for inclusion here. Future updates may include newer pieces that demonstrate similar levels of trust over time.
Are any of these artworks at risk of being removed or altered?
No. All ten installations are either legally protected, under formal preservation agreements, or maintained by entities with long-term commitments. The Rainbow Curb and The Great Wall are specifically protected by city ordinances. The Noguchi Foundation and the Tongva Tribal Council also ensure their respective pieces remain unchanged.
Conclusion
Public art is not a luxury — it is a mirror. In Long Beach, these ten installations reflect the city’s soul: its struggles, its triumphs, its diversity, and its enduring humanity. They are not chosen because they are the most Instagrammable or the most expensive. They are chosen because they have endured — through storms, through neglect, through change — and still speak to those who pause to look, to touch, to remember.
Trust in public art is earned slowly, through consistency, collaboration, and care. These ten works have earned that trust. They are not monuments to the past, but living conversations with the present. Whether you’re a lifelong resident, a new arrival, or a visitor passing through, these installations invite you to engage — not as a spectator, but as a participant in Long Beach’s ongoing story.
Walk the Rainbow Path. Sit beneath The Wave. Trace the tiles of “We Are Long Beach.” Let the sea winds move through “Echoes of the Harbor.” These are not just art — they are the quiet heartbeat of a city that refuses to forget who it is, and who it hopes to become.